Until now I have not felt the need to place my fiction writing into any particular genre, happy to let the novels speak for themselves. I adopted this attitude even though the three novels I have written so far certainly fit into the genre of the Catholic novel.
I did not want to put any limitation on them. I was convinced that the stories’ framework would not inhibit the interest of the discerning reader. I was right about this. A number of readers said that the Catholic characters and circumstances did not prevent them from liking the novel.
I have, however, changed my mind and think it best that I ‘come out’, so to speak.
First, I don’t see myself writing anything other than a novel in the genre. I have two novels planned, one already at 35,000 words, and they will be in this market. There is no point in hiding the fact. Indeed, it will link me explicitly to that market.
Second, there has been such a polarisation in Australian society that I feel I must make an explicit stand on where we are heading. The issues of ‘same-sex’ marriage, the Safe Schools program, and euthanasia are just a few of the issues that have, and will continue to polarise Australian society.
Third, in coming out, I would like to promote the market and encourage readers and writers to have a closer a look at the novels and novelists in the genre of the Catholic novel. To this end, I will make comments and provide links to writers and their works.
What does the genre of the Catholic novel entail? I have devoted a page to explaining what is it and who are its foremost proponents.
Caroline Chisholm Library’s Catholic Reading Club invited me to attend their March 31 meeting as the author of the month’s featured novel, In This Vale of Tears. I was delighted that my book had been chosen for discussion and equally delighted to attend the meeting. I was a little nervous, though, because I had not experienced this sort of literary ‘examination’ before. It would be embarrassing if nobody much liked my book!
I am aware that the themes of my novel and its Catholic setting are not to everyone’s liking.* But one may think I would be safe with the people in a Catholic Reading Club. Regretfully, it does not work that way. The paradox is that the members of a Catholic Reading Club are likely to be more discerning about a story of women in a female religious order than the general reader. Continue reading In This Vale of Tears featured novel for reading club
I was thrilled to be informed that the Catholic Book Club has chosen one of my novels – In This Vale of Tears – for one of their early meetings in 2017. I also received an invitation to be present at the meeting to discuss my book.
The news and invitation came at a good time because I had recently begun a revision of The Castle of Heavenly Bliss for a 2017 paperback edition. The Castle of Heavenly Bliss is the first book in my Winterbine Trilogy. In This Vale of Tears is the second book.
I was around two-thirds of the way through the revision of The Castle of Heavenly Bliss, but switched to In This Vale of Tears because of the news and invitation. I have completed the revision and uploaded the new ebook version to Smashwords. I have completed the preparation for the CreateSpace paperback edition, except for the cover. I am having a new cover designed. That should be ready in a few weeks at the latest. I am hoping that the new paperback edition will be available before Christmas.
Without changing the story, I have extensively revised In This Vale of Tears for the 2017 ebook and paperback editions. I have trimmed the text and corrected faults of style and language as pointed out by a number of readers who were otherwise generous in their comments. I have also made additions to the story to bring it into line with The Castle of Heavenly Bliss and to clarify the linkages and themes of the story. I am confident the revised edition presents a far more gripping and polished story.